Anna and John of Constantinople
Our Venerable Mother Anna, who was called Euthymianus, and her son John, of Constantinople
Venerable · d. Anna, 826, at Constantinople
Commemorated 13 June — Principal commemoration of the venerable Anna and her son John, 29 October — Second commemoration, kept in the Greek and OCA calendars
Anna and her son John were ninth-century ascetics of Constantinople and Bithynia. Anna was the daughter of a deacon of the church of the Blachernae in the capital; widowed young, she cut her hair, put on a man's habit, took the name Euthymianus, and went with her son to live the monastic life in one of the monasteries on Mount Olympus in Bithynia, where the two of them were received as father and son. She belongs to the small and much-loved company of Byzantine holy women who lived hidden in men's monasteries under a man's name. She returned at length to Constantinople, and there reposed in the year 826. Her memory — and her son's with hers — is kept twice in the year, principally on June 13 and again on October 29.
The deacon's daughter of the Blachernae
Anna was born at Constantinople in the later eighth or very early ninth century, the daughter of a deacon serving at the church of the Most Holy Theotokos at the Blachernae — the great Marian shrine at the north-western corner of the city, by the walls and the Golden Horn, where the robe of the Mother of God was kept and where the Akathist had been sung in thanksgiving for the deliverance of the city. To be the child of a clergyman of the Blachernae was to be raised at the devotional centre of Byzantine Constantinople, and the accounts assume without saying it that her formation was there.
She was married, and bore a son, John. Of her husband nothing is transmitted but his death: she was left a widow, and young enough that the ordinary Byzantine expectation would have been a second marriage. Instead she chose the monastic life; and because she had a young son to keep with her, and because a woman travelling alone through the provinces was neither safe nor unremarkable, she chose it in the manner that a handful of Byzantine holy women before her had chosen it.
Euthymianus
She cut her hair, dressed as a man, and called herself Euthymianus; and in that name and habit she and her son crossed the Propontis into Bithynia, to the monasteries of Mount Olympus — the wooded massif inland from Prusa (Bursa) that was in the ninth century the foremost monastic mountain of the Byzantine world, the Athos of its age, and the home of Joannicius the Great and Peter of Atroa. There the two were received into one of the houses of the mountain and lived, the sources say simply, in asceticism — the mother as a monk among monks, the boy as her son.
The narrative that has come down is bare of incident: no miracle, no confessorship, no recorded conflict. What the tradition preserves is the fact of the concealment and the fact of the perseverance. Whether the disguise was discovered in her lifetime is not transmitted; in the parallel lives it usually is, at or after death, and that discovery is the point at which those stories turn. Here the calendars record only that mother and son lived out their asceticism together.
The company of the hidden women
Anna's life takes its meaning from a recognisable Byzantine pattern, and the calendars place her in it deliberately. The same tradition includes Matrona of Constantinople, who fled a violent husband into the monastery of Bassianus as the eunuch "Babylas"; Euphrosyne of Alexandria, who lived thirty-eight years as the monk "Smaragdus"; Theodora of Alexandria, who bore a false accusation as the monk "Theodore"; and Pelagia the Penitent, the actress who died as the "beardless monk Pelagius" in a cell on the Mount of Olives. What distinguishes Anna from all of them is the child: the others fled marriage, or the world, or a past; Anna took her son with her, and the two are commemorated as a pair. The Church's willingness to keep such a memory — a woman in a man's habit in a man's monastery, with her boy — is itself part of what the commemoration says.
Return and repose
At some point, after her years on Olympus, Anna came back to Constantinople, and it was there that she died, in the year 826. The year sets her repose in the reign of Michael II and in the second period of iconoclasm, when the monasteries of Olympus were centres of resistance to the imperial policy on the holy images; the sources make no claim that Anna suffered for the icons, and none is made here. Her son John's year of repose is not transmitted, nor the place; the calendars name him only as her son and commemorate him with her.
Feast and commemoration
June 13 (church date; New Calendar civil June 13; Old Calendar civil June 26) is the principal commemoration, kept in the Greek and OCA calendars among the day's monastic saints, after the martyr Aquilina of Byblos and the hierarch Triphyllius of Leucosia. A second commemoration falls on October 29 (Old Calendar civil November 11). Depending on the date of Pascha, June 13 may fall before the Apostles' Fast or within it — the fast begins on the Monday after the Sunday of All Saints and so has no fixed start — and the day's position is therefore not asserted here.
No proper office is appointed. Where the pair is kept liturgically, it is by the synaxarion reading and the common of a monastic saint. They are honoured in Constantinople, whose city Anna was, and among the saints of the Bithynian Olympus.
Hymns
Apolytikion — Tone 8 (common of a woman monastic-saint)
In thee, O mother, was preserved unimpaired that which is according to the image of God; for taking up the cross, thou didst follow Christ, and by thy deeds thou hast taught us to despise the flesh, which passeth away, and to care rather for the soul, a thing immortal. Wherefore, O venerable Anna, thy spirit rejoiceth with the angels.
Iconography
No iconography particular to Anna and John has been identified, and no image of them has been located for this collection. In the rare cases where saints of this pattern are painted, the iconography has a choice to make and makes it in one of two ways: either the holy woman is shown as she lived — in the dark monastic mandyas and koukoulion, the figure of a young beardless monk, which is how Euphrosyne "Smaragdus" and Theodora "Theodore" are sometimes depicted — or as she was, a woman in the monastic habit with the veil, which is the commoner solution. For Anna the natural composition adds the boy John at her side in a small monastic habit of his own, and this mother-and-son pairing would be the one unmistakable mark of the subject.
No pre-1900 image has been found. Searches under Anna of Constantinople and under the name Euthymianus return other saints entirely; nothing was stored.
Disputed questions
- Two feasts. She is commemorated on June 13 and on October 29, and neither displaces the other. The OCA treats June 13 as the principal day, and this entry follows that, with October 29 recorded as a second commemoration. The doubling is the ordinary consequence of a saint entering the synaxarion twice, from two recensions; it does not imply two Annas.
- The name Euthymianus. Some lists style her Anna Euthymianus and some print the male name alone; a few Slavonic notices name her "Euthymianus" without explaining it, which has occasionally produced a phantom male ascetic of that name in derivative lists. There is one person.
- Which monastery. The sources say only "one of the Bithynian monasteries near Olympus." No house on the mountain is named, and none should be supplied.
- Not to be confused with the other saints named Anna: Anna the Prophetess of the Presentation, Anna of Novgorod, the righteous Anna mother of the Theotokos, or the ninth-century Anna commemorated with the martyrs of the iconoclast persecution. The distinguishing marks of this Anna are the Blachernae, the male name Euthymianus, the son John, and the year 826.
- Thinness of the record. The whole of the transmitted account amounts to a few lines. No Life of Anna is preserved; what exists is a synaxarion notice. This entry is accordingly short in substance, and the context supplied above (the Blachernae, Olympus, the parallel lives) is labelled as context and not as narrative about her.